The Company

Artistic Director Andrea Taylor-Blenis began her dancing career with her family. Her parents, Marianne and Conny Taylor, taught International Folk Dance and Marianne taught Modern Dance with Margie Link and Ruth Wheeler in Lexington. This was Andy’s first exposure to modern and improv. Scottish Country dance was the closest she got to ballet until UMass/Amherst, where she received her BFA in Dance focusing on Jazz and Modern. She began dancing professionally in Cambridge/Boston in 1983 with and for locals such as Peggy Brightman, Danny Sloane, Beth Hirschhaut, Micki Taylor-Pinney (her sister), Dance Collective and not so local, Miguel Lopez and Milton Myers. She performed and toured with Concert Dance Company and Prometheus Dance Company. She taught at Harvard, Boston Conservatory, Emerson, Jeannette Neil’s, the former Joy of Movement and Green Street Studios,  and currently teaches at Dance Complex, Wheaton College and Dancing Arts Center. Andy also teaches International Folk Dance in schools through residencies with Young Audiences, Mass Movement and the Folk Arts Center. Dancing with Back Pocket fills a deep love she has for community and dancing with and for all ages.

Jacob Bloom has been teaching participatory dancing for 40 years.  He has performed English Morris Dance, New England Country Dance, and Colonial Dance with the Black Jokers Morris Men, the Green Mountain Volunteers, and the New England Chestnuts, has taught the Banbury Cross Children's Morris Team, and currently leads the Wayside Inn Steppers colonial dance group.  Dancing with the Back Pocket Dancers is his first venture into modern dance.

Eleanor Duckworth studied ballet until she was 15, in Halifax, Nova Scotia, with Irene Apinee. After a 43-year hiatus, she started studying modern dance in Cambridge, in a class for people over 55, taught by Joan Green. She was a member of Cambridge’s intergenerational Back Porch Dancers for its last six years. She has also performed with Prometheus Elders, Round the Corner Movers, Danny McCusker, Brian Crabtree, Peter DiMuro, Kathy Hassinger, Kelley Donovan, Audra Cabaretta, Prometheus Dance, Bill Evans, Ann Carlson and Margie Gillis. A Professor Emerita of Education at Harvard University, she serves on the boards of Critical Explorers and Citizens for Public Schools, and is a coordinator of Cambridge United for Justice with Peace.

Julie Leavitt is a dancer, dance/movement psychotherapist, and body centered spiritual director in private practice. Julie studied creative movement with Barbara Mettler and authentic movement with Janet Adler, and continues to study modern dance and perform with Joanie Block and Carol Sereda.  She is a member of Selmadanse, having performed most recently in Emerge Dancing and Not Here Nor There. Julie is a member of the Newton Choreographers Collective. She created and performed Imagining Talmud, in June 2016. Julie teaches and practices Authentic Movement, a form of movement meditation. She has taught Dance/Movement Therapy at Lesley University for almost 30 years. She was a doula for many years and has officiated at many weddings, baby namings, funerals, and various life cycle passages. Since 2004, she has offered body-centered spiritual direction at Hebrew College in Newton, privately, and for Hebrew Union College in Cincinnatti.

Nancy Murphy began dancing at the age of 3. Her early dance experience was in ballet, tap & jazz. In her youth she performed with the Maine State Ballet and the Connecticut Ballet. Later, she also performed with the Mandala Folk Dance Ensemble. She began teaching partnered dance in 1989. She currently teaches at Rugcutters’ Dance Studio, Marblehead School of Ballet, Dance Technics, Brookline Adult & Community Education and Wilmington Dance Academy. Her main focus is partnered dances, such as Swing, Argentine Tango, Waltz, Foxtrot, Cha Cha, Rumba, Salsa and many others. The dance floor, be it a social dance or a modern dance class, is her favorite place to be.

Donna Newman-Bluestein  is a dancer, dance/movement therapist, Certified Movement Analyst,  and educator. She studied creative dance with Barbara Mettler, and many additional forms of dance from teachers at what was once the Joy of Movement Center in Cambridge, MA.  Her creative dance studies were enhanced by classes with Julie Ince Thompson, Margie Gillis, LBMS teachers Karen Bradley and Jill Mackavey, and Joan Green, with whom she's studied for the past 12 years. In the 1970’s, she performed with the Art of Black Dance and Music with DeAma Battle. She has been a member of Back Pocket Dancers since 2009. An international trainer, speaker, and presenter, her current focus is on transforming the culture of care for people with dementia through dance and embodied caregiving. She currently serves on the Arts Task Force of Dementia Action Alliance. To motivate people with advanced dementia to engage with others through movement, Donna invented the Octaband®.

Linda Spencer returned to dance after a 30-year hiatus. Previously she studied modern jazz for many years, primarily with Adrienne Hawkins. During her break from dance, she immersed herself in the yoga world. Linda still practices yoga regularly and loves the mind, body and spiritual connection to dance. She returned to dance during the fall of 2021, and is thrilled to be back in the dance studio. Currently she takes modern classes with Andy Taylor and Ellen Pigott. Recently she had the honor to perform with the Bill T. Jones/Arnie Zane Company as a Community Participant in his production of “What Problem?”

The following members are on hiatus from Back Pocket Dancers.

Jim Banta (on leave) has been dancing locally for several years with such groups as Cambridge Chamber Ballet, Boston Liturgical Dance Ensemble, Foremost Dance Troupe, Angel Dance, and Chu Ling Dancers. He has also performed as a guest artist in small roles with visiting Companies like Mikhail Baryshnikov’s White Oak Dance Project, Meredith Monk, and most recently, as Drosselmayer in Jose Mateo’s ‘Nutcracker’.

March Kim (on leave) began dancing at the age of 7. She studied ballet, contemporary, and Korean traditional dance in Gwangju, Korea until she moved to Beijing, China when she was 11. After a long hiatus in 2016, March started studying dance again with Jim Viera at Boston Conservatory, Andy Taylor-Blenis at Green Street Studios, Marcus Schulkind, and Jody Weber at the Dance Complex in Cambridge, MA. March continues to expand her vocabulary as a dancer and hopes to use dance as a healing modality that reaches and inspires people from all walks of life.